For life drawing at lifedrawinghappenings this week, Kelly banned charcoal and made colour the order of the day. I used coloured inktense pencils last session in homage to Kokoschka, so I decided to really challenge myself with coloured paper and pastels and watercolours used straight from the tube.
Inktense pencil, inspired by Kokoschka, previous session.
We started with quick, wrong hand drawings, 1 or 2 minutes.
For one pose, I cheated and used my dominant hand, but dipped my finger in watercolour paint, straight from the tube and drew into a water wash on w/c paper.
We moved onto longer poses and I moved to pastel on coloured paper. I used Derwent pastels which are thin rectangular blocks and quite hard, and later, Unison pastels which are stubbies and very soft.
I consistently make the legs too short. Gr$*£h!
Kelly also set us the exercise of using the side of a block and just drawing the negative space. A great exercise but I completely lost my way with the breadth of the figure and added some internal features to help work things out.
In a half hour pose, I decided to draw the same pose with my finger in watercolour, which is necessarily very quick as the paper dries, and then in pastel. With the watercolour, I was again trying to map the negative space around the figure. This was only ever going to work so much because of the way the paint spreads. I like the way the nature of the mark changes as the paper dries. This approach was perhaps over ambitious for a folded-in pose.
The same pose in soft pastels.
This clearly shows the difference in the quality of the pigment load in the soft pastels, but I found them difficult to use at the relatively small size of A3, the pad size for my coloured papers.
I tried the same exercise again for the final long pose but this time added some linear elements to the watercolour for increased definition. I don’t think this is as successful as the softer, looser painting above.
The same pose in soft pastels.
I tried to find the nuances of warm and cool light but just ended up making a mess. I find it hard to go from using pastels for line work to broader areas without ‘colouring in’. I would like to try this again but using at least an A2 support. I felt really constrained by the paper size and my proportions have really suffered here. If I take larger paper and materials to treat a final long pose as ‘something special’, I really freeze up. My quick sketches are almost always freer and more successful.
I love the way that Kelly sets up challenges which you can accept at whatever level you want. The class is only 2 1/2 hours with a half hour break, but we really crack through the work. I was so tired at the end of this class!